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Netflix APAC Movie Viewership Grew 20% In 2024 — APAC Showcase

by Index Investing News
April 21, 2025
in Entertainment
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Movie viewership amongst Netflix‘s APAC subscribers grew by almost 20% in 2024, stated Minyoung Kim, Netflix’s head for APAC content material (excluding Korea).

Talking on the streamer’s APAC showcase in Tokyo, Kim added that greater than 100 APAC movies peaked in Netflix’s international prime 10 record for non-English movies all through 2024. These have included titles like Korea’s Rebellion, Indonesia’s The Shadow Strays and Japan’s Metropolis Hunter.

General, Netflix members globally watch a median of seven movies a month.

Kim additionally highlighted the expansive cultural influence that the streamer’s movie slate has produced throughout Asia. For instance, when Netflix’s live-action adaptation of the favored “Metropolis Hunter” manga collection premiered in April final 12 months, gross sales of the unique manga, together with each digital and laborious copies, went up by 900%.

Trying forward, the streamer is about to increase its choices throughout Asia this 12 months, which incorporates two unique zombie movies from Southeast Asia and Netflix Korea’s first-ever animated movie.

Whereas the zombie style has lengthy been dominated by English-language titles — and lately, by Korean initiatives like Prepare to Busan, All of Us Are Useless and Kingdom — Netflix stated that it’s hoping so as to add Southeast Asia’s choices to the worldwide combine. With a observe document of success in Indonesia and Thailand already with the streamer’s horror titles, Netflix can be set to launch two unique zombie movies from these international locations, titled Elixir and Ziam.

Malobika Banerji, the Netflix’s senior director for Southeast Asian content material, stated that the Indonesian and Thai groups engaged on Elixir and Ziam consulted with a number of the crew members who labored on Korean zombie collection Kingdom, with the Korean crew providing recommendation in areas like make-up and results.

Over in Japan, the streamer is launching its tentpole movie Bullet Prepare Explosion on April 23. The movie is a reboot of the unique 1975 film The Bullet Prepare, which impressed the Hollywood blockbuster Velocity.

Shin Takahashi, Netflix’s head of Japanese live-action movies and collection, stated that this movie marked an unprecedented scale of collaboration with Japanese railway firm JR East. The manufacturing managed to safe entry to movie one of many firm’s real-life bullet trains on a number of journeys.

“We have been capable of lease a complete bullet practice and movie it in movement seven occasions, travelling backwards and forwards from Tokyo to Aomori,” stated Takahashi. “This was not potential within the unique The Bullet Prepare and stays unparalleled in Japanese movie manufacturing to today. Sometimes, even when a practice may very well be borrowed, filming could be restricted to 1 or two occasions, making this a rare degree of cooperation in Japan.”

“The large distinction this time is the time we took to convey the story, inventive imaginative and prescient and intent to JR East. We have been capable of work with them by repeated discussions and time we spent with them throughout pre-production,” added Takahashi.

Netflix Japan will mark its 10-year anniversary this 12 months. Different titles on the streamer’s Japanese slate embody the recently-premiered Demon Metropolis, in addition to 10Dance, a movie concerning the aggressive dance world, set to launch later this 12 months.

Ruchikaa Kapoor Sheikh, who leads movies for Netflix India, shared that almost half of the nation’s Netflix viewership comes from movie, which is without doubt one of the highest globally. Prior to now 12 months, at the very least one Indian movie featured in Netflix’s international Prime 10 non-English record each week.

One of many streamer’s Indian titles this 12 months is Toaster, which stars Rajkummar Rao, who additionally serves as producer alongside his spouse, Patralekhaa. That is the primary title from Kampa Movies, a manufacturing firm run by Rao and Patralekhaa.

“After we learn a one-pager of Toaster, I assumed that this story was very distinctive, so we developed it right into a script,” stated Rao. “The writing needs to be superb for comedy-genre movies. The scenario needs to be humorous, so you’ll be able to simply be genuine and react to the scenario.”

Rao stated that he solely realized that he was good at comedy in 2017 when he starred in Newton, which later received Finest Characteristic Movie at India’s Nationwide Movie Awards. “When you all the time simply react to a selected scenario, it can come throughout humorous. That’s what I attempt to do. I attempt to not be humorous whereas doing comedy, which is a really tough job, as a result of generally you get grasping, pondering that you are able to do extra, which may wreck the scene. You really need to be very managed if you do comedy,” added Rao.

In Korea, the place the streamer has seen record-breaking success over the previous couple of years, the main focus for this 12 months is to diversify its choices, stated Vincent Taewon Kim, Netflix’s director for Korean content material. This 12 months’s slate contains its first-ever animated movie, Misplaced in Starlight. Q3 will see the discharge of Wall to Wall, whereas Good Information, The Nice Flood and Kill Boksoon spinoff Mantis are set to premiere in This fall.

Tags: APACFilmgrewNetflixshowcaseViewership
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