After which there’s Valentina, an astrophysicist who, 40 years earlier, attached with Grampy when he visited the true world. The perfect factor to say about her is that she’s performed by Religion Prince, trying sport, if understandably confused.
In any case, Grampy and Valentina reunite when he returns to the true world to reclaim Betty, with out whom the black-and-white world at house is fading. However will she return with him, now that, with the assistance of her new buddies, she is concerned in a mayoral election, a sanitation scandal and a feminist quest to take cost of her identification?
I want the present had taken cost of its identification too. As an alternative, one feels always the heavy hooves of a advertising and marketing crucial. The model self-discipline is punishing; in David Rockwell’s scenic design, even the proscenium has spit curls.
And poor Trisha, hasn’t she lived by sufficient with out being was a model ambassador? “Betty Boop has been well-known in every single place for like 100 years!” she says, as one does. “Betty Boop is powerful and good and assured and succesful.” She even will get a track, known as “Portrait of Betty,” that hymns Boop’s praises as if she had been, effectively, Eleanor Roosevelt: “She will not be afraid to battle / For all of the individuals who can not defend themselves.” In brief, as a sometimes effectively turned Birkenhead lyric places it: “She has spunk, she has backbone, she’s a saint, backside line.”
And there it’s. The underside line.
Betty Boop, if not the earliest cartoons she seems in, remains to be beneath copyright safety. Little doubt the Fleischer heirs, with one eye on “Barbie,” want to exploit their greatest star earlier than she goes bust. Truthful sufficient; who wouldn’t? However a merch seize — within the foyer a plushie Pudgy goes for $35 — will not be the identical as a musical. The reply to “why?” shouldn’t come from mere marketeers.
Boop! The Musical
On the Broadhurst Theater, Manhattan; boopthemusical.com. Working time: 2 hours half-hour.